It’s called “Logan.”
Who, you might ask, is Logan?
After a blockbuster opening weekend, you may be among the few in the whole wide world who does not know that Logan is the name of Wolverine, here downplayed as a comic book superhero and presented more as a human being, albeit, a so-called mutant human being, played again with brooding gusto by Hugh Jackman.
“The Complete and Authoritative Tour of Holy Stuff” is a multi-media presentation, continuing through at 8 p.m. March 10 and 11 and 2 p.m. March 12, Touchstone Theatre, Bethlehem, about what makes us tick and rings our bells.
It’s around the world in 80 mimes as Emma Ackerman, who created and performs the one-woman show, continuing at 8 p.m. March 10 and 11 and 2 p.m. March 12, wordlessly leads the audience through a series of vignettes about the search for the meaning of life.
“Moonlight” is an extraordinary slice-of-life film, representing in the best sense what cinema is all about: to take us to places where we may not typically go in our life or imagination.
The film’s unusual cinematography elevates the material to a dream-like state, which contrasts with remarkably realistic performances and a spare soundtrack that makes the film even more captivating.
“Moonlight” is based on a semi-autobiographical play, “In Moonlight Black Boys Look Blue,” by Tarell Alvin McCraney, with the screenplay written by the film’s director Barry Jenkins.
Well, it wasn’t exactly: #oscarsowrong, or #wrongenvelopeplease, but among the dozens who entered the annual Lehigh Valley Press Focus section “Readers Pick the Oscars” contest, not one person correctly picked all Oscar recipients in the contest’s seven categories.
It was another good year at the movies in 2016.
In North America, movies grossed $11.4 billion in 2016, besting the record of $11.1 billion in 2015.
Walt Disney Studios held the top three positions: “Finding Dory,” $486.3 million; “Rogue One,” and “Captain America: Civil War.”
None of these was a Best Picture nominee for the Academy Awards, to be telecast at 8 p.m. EST Feb. 26. Here are my picks for the seven categories of the Lehigh Valley Press “Readers Pick the Oscar recipients” contest:
“Good fences make good neighbors.”
- Robert Frost,
“Fences,” the film version of August Wilson’s 1987 Pulitzer Prize and Tony Award-winning play is set in Pittsburgh circa 1956 where Troy (Denzel Washington, who also directs), is a municipal garbageman and former Negro League baseball player standout.
Troy and his wife, Rose (Viola Davis), have a son, Cory (Jovan Adepo, TV’s “The Leftovers,” 2015-17, in his theatrical feature debut), who excels at academics and football in high school and is being scouted for a college scholarship.
The Master Site Development Plan for the William H. Laubach Memorial Park and Franko Farm Recreation Area that calls for an estimated $5 million in improvements is being lauded to upgrade recreation on the east side of Salisbury Township.
“What we tried to do was take a little bit of the overcrowding from Laubach and shift it to Franko,” said Leonard J. Policelli, landscape architect, project manager, Urban Research & Development Corp., Bethlehem, consultant for the Laubach-Franko Master Plan.
After seeing “The Founder,” you may never look at a Big Mac the same way.
For that matter, you may never think about a fast-food restaurant the same way, either.
“The Founder” is about Ray Kroc (a splendid Michael Keaton), a milkshake device salesman who bought out the McDonald brothers, Richard “Dick” McDonald (a great Nick Offerman) and Maurice “Mac” MacDonald (a fine John Carroll Lynch), whose San Bernardino restaurant was the model for fast-food efficiency.
“Hidden Figures,” as with a few of 2016’s outstanding films (“Loving,” “Jackie” and “The Beatles: Eight Days A Week - The Touring Years”), takes place roughly more than half a century ago, in the early 1960s, which seems to have been a more innocent time in the United States.
That a United States president’s administration should be remembered in light of a hit Broadway musical either says a lot about the sway of Broadway musicals over the American public, or the power of American politics myth-making.
While it’s uncertain if “Hamilton,” which had its “tryout” way out of town (as in the White House Rose Garden), will attach itself to a particular administration, “Camelot” attached itself to the President John F. Kennedy administration.
Or rather, Jackie Kennedy, as then grieving First Lady, attached the Kennedy administration to “Camelot.”